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Eurovision boss branded a ‘coward’ after saying Russia could be allowed back into contest

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Martin Green, the executive director of Eurovision, has said he won’t rule out Russia rejoining the contest (Picture: Getty Images)

Eurovision’s insistence that it is an ‘apolitical’ competition may have finally collapsed under the sheer weight of its own contradictions.

Martin Green, the Eurovision Song Contest’s executive director, has sparked outrage after admitting Russia could ‘theoretically’ return to the competition, despite the country remaining at war with Ukraine.

In a bombshell interview ahead of this year’s contest in Vienna, Green confirmed Russia’s exclusion was never actually based on the invasion itself, but rather on concerns surrounding Russian state broadcaster VGTRK and whether it could be considered independent from the Kremlin.

Asked directly whether Russia could potentially return if its broadcaster met European Broadcasting Union rules, Green replied: ‘Theoretically, yes.’

With that two-word answer, Eurovision may have accidentally detonated years of carefully managed PR messaging about ‘shared values’ and neutrality.

Because for millions of viewers, Russia’s removal from Eurovision in 2022 was widely understood as a moral stand against the invasion of Ukraine, particularly after the UK hosted the contest on Ukraine’s behalf in 2023 in a huge display of solidarity.

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Green’s latest comments will likely pour petrol directly onto ongoing controversy (Picture: Getty Images)

But Green now insists the ban itself was never fundamentally about the war. ‘Then you get into really difficult territory of making very subjective value judgments,’ he explained.

The problem, however, is that Eurovision has already spent years making what appear to many viewers to be highly subjective value judgments, perhaps most notably over Israel.

Israel’s continued inclusion in this year’s contest has triggered one of the biggest crises Eurovision has faced in decades, with broadcasters from Ireland, Spain, Slovenia, Iceland and Netherlands all boycotting the competition over the war in Gaza.

Israeli contestant Noam Bettan was also met with audible boos during this week’s semi-final in Vienna, while protests have erupted across the Austrian capital throughout Eurovision week.

There have been ongoing protests about Israel’s participation in the contest (Picture: Christian Bruna/Getty Images)

Critics have repeatedly accused the EBU of hypocrisy for banning Russia following the invasion of Ukraine while continuing to allow Israel to compete during the Gaza conflict. Green’s latest comments will likely pour petrol directly onto those accusations.

Attempting to explain the difference, Green argued there is currently no ‘global consensus’ regarding Israel.

‘If you know you have a global consensus, you’re going to act very, very quickly,’ he said. ‘If you know you don’t, you have to take more time about it.’ That explanation has not gone down particularly well with politicians.

Liberal Democrat MP Tom Gordon blasted the comments as ‘moral cowardice’.

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‘Martin Green has spent this week telling the world that Eurovision is a neutral space built on values. We now know those values are conditional,’ he said. ‘If enough countries look the other way, they will too.’

Gordon continued: ‘The EBU told the world it stood with Ukraine. Millions of us believed them and when the UK hosted the contest on Ukraine’s behalf, we did so with immense pride and unconditional solidarity.

‘Now we learn that was never the principle at all, it was just a technicality and Russia could walk back into Eurovision while its missiles are still falling on Kyiv.’

Noam Bettan, representing Israel, has moved on to Saturday’s grand final (Picture: Christian Bruna/Getty Images)

Labour MP Josh Newbury also accused Green of undermining Eurovision’s own position.

‘For four years, the EBU has hidden behind the language of values and democratic process,’ he said.

‘We now know that when it mattered, the decision to ban Russia had nothing to do with values or principle at all.’

The irony, of course, is that Eurovision has always insisted it is ‘non-political’ despite functioning as one of the most politically symbolic entertainment events in the world.

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