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Netflix top 10 TV shows revealed as new hit dominates charts

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The Monster of Florence (Picture: Netflix)
Netflix subscribers have metaphorically spoken once again and a new show has stormed to the top of the charts this past week. The latest streaming data reveals 10 telly series that are dominating viewers’ screens right now. From surprise hits to returning favourites, this line-up captures the mood of what people are bingeing in their homes. Whether you’re after anime, romance, thrills or monstrously dark true-crime tension – you’ll find something here worth clicking play on, no doubt…. (Picture: Netflix)

10. One-Punch Man: Season 3 – 2,400,000 views last week

After six years fans finally have a new season of this celebrated anime to dig into. Season three of One-Punch Man dropped in October 2025 and picks up the Monster Association arc straight from the Manga comic books. The series remains centred on Saitama, the hero who defeats any opponent with (you guessed it…) a single punch. (Picture: Netflix)

8- WWE Raw: 2025 – October 20, 2025 – 2,600,000 views

Live sports (and sports entertainment) content continues to proves its worth over on Netflix. And in a big way too. The October 20 episode of WWE Raw clocked up some 2.6 million views on Netflix. It featured major title matches and served as something of a bridge into the next pay-per-view event. With the world heavyweight title vacated following Seth Rollins’ injury, Jey Uso earned a shot at CM Punk by winning a number one contender’s battle royal. Major title changes also hit as AJ Styles & Dragon Lee captured the Tag Team Titles from Finn Bálor & JD McDonagh. (Picture: WWE/Getty)

8- Romantics Anonymous – 2,600,000 views

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Cross cultural and quite charming, this Japanese-South Korean romance drama is based on a French-Belgian film and features Asian stars Shun Oguri and Han Hyo-Joo. The premise involves a brilliant but shy chocolatier and a touch-averse heir who somehow connect through their mutual awkwardness. With 2.6 million views over the past weeks, it’s not the most popular show on the streamer, but it’s doing very well globally anyway. (Picture: Kimu)

6- No One Saw Us Leave – 4,800,000 views

This gripping Mexican series is grounded in real life, the story of a mother whose children are secretly taken abroad by her husband, shaking up her entire world. It spans Mexico, France, South Africa and Israel, giving the thing plenty scope as well as emotional heft. With a strong showing in non-English TV rankings (it sits joint sixth in the top ten global charts), this family drama is proving a hit with both viewers and critics alike. Creator Maria Camila Arias’ five-parter currently boasts an 83% approval rating on Rotten Tomatoes. (Picture: Netflix)

6- Mob War: Philadelphia vs. The Mafia – 4,800,000 views

You don’t tend to think of Philly when you consider mafia strongholds in the US. However, this new three-episode docuseries uncovers plenty of grime and crime that suggests that The City of Brotherly Love may well be (or at least was) the most violent mob city in the country. It explores a brutal chapter of ’90s organised crime in Philadelphia; the turf war between John Stanfa and Joey Merlino that altered the city’s underworld forever. The show combines archival footage and new interviews, offering viewers both detail and context.(Picture: Netflix)

5. Monster: The Ed Gein Story – 5,100,000 views

The latest chapter in the true crime anthology series Monster focuses on the infamous American murderer and graverobber Ed Gein, portrayed with serious dedication by Charlie Hunnam. It charts Gein’s crimes and the cultural legacy of horror he inspired. While critics found (quite a lot of) fault with its historical accuracy, the series still drew major attention and sits firmly in the top ten thanks to viewers’ appetite for chilling true-crime retellings. And also Hunnam’s excellent against-type turn. (Picture: Netflix)

4. Boots – 5,600,000 views

A sleeper hit that’s quietly climbed into the top ranks on Netflix, Boots follows a closeted gay teen who impulsively enlists in the US Marine Corps back in the 1990s and finds unexpected camaraderie amid military culture waiting for him. As well as plenty of problems. The eight-episode drama pairs up personal transformation with some stinging digs at the armed forces of the time. It’s got an important story to tell, but crucially it does so subtly, with a warmly funny script and some really rather good performances from its mostly young cast. (Picture: Netflix)

3. The Diplomat: Season 3 – 6,300,000 views

This popular political thriller starring Keri Russell and Rufus Sewell returned to Netflix recently with even higher stakes than before. And a fair few new cast members such as Bradley Whitford. The show’s mix of sharp diplomacy, personal drama and globe-hopping intrigue gives it mainstream binge appeal and helps explain its climb into the top three last week. (Picture: Netflix)

2. Nobody Wants This: Season 2 – 8,600,000 views

Following the noteworthy success of the breakout first season, this bingeable rom-com series about the relationship between an agnostic podcaster and a rabbi is back and justifying its recommissioning. It stars Kristen Bell and Adam Brody and explores all sorts of heavy issues with a light tough. Things like identity, faith, love and modern relationships are all handled with wit and heart. With 8.6 million views clocked up in its first few days post-dropping, it’s turned into something of a surprise hit for the world’s biggest streamer. (Picture: Netflix)

1. The Monster of Florence: – 9,600,000 views

Claiming the number one spot this week is a new four-part Italian true-crime series that examines the notorious and unsolved Il Mostro di Firenze case that haunted Italy between 1968 and 1985. Directed by Gomorrah creator Stefano Sollima, the show tracks investigations into the serial killing of young couples in the countryside around Florence. Each episode takes a deep dive into one of the main suspects. This is seriously high quality television and a series that deserves all the success heading its way. It’s a grim subject matter, but it’s handled with sensitivity and zero luridness whatsoever. (Picture: Netflix)
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