Governor Mario Cuomo used to ruefully observe that “you campaign in poetry; you govern in prose.” Even honorable campaigns that confine their promises to the realm of the possible strive to suggest that a shelf of prosaic plans add up to something greater, something transcendent that justifies the level of emotional investment that even the lowliest volunteers make in a political contest.

That investment is essential to victory, as any losing campaign blamed for lack of the “vision thing” can attest. Races rarely go to the candidate who is best-prepared or most knowledgeable; they frequently go to the candidate who voters come to trust, who gives them reason to believe in them.

For some candidates, veteran legislators in particular, that necessity is maddeningly unfair. But Cuomo’s comment was rueful because he was one of those politicians who really would have preferred to govern in poetry, but who was wise enough to know that was impossible.

Which brings me to Marianne Williamson.

Williamson is having her moment precisely because she, more than anyone else, is campaigning unequivocally in poetry — and a brand of poetry with far broader appeal than many media elites may have realized. She recognizes that Trump is a symptom of an American spiritual crisis, and that for a politics to be truly responsive to Trump it will have to be responsive to that crisis as well.

The rhetoric of that response has to operate on a level beyond practical solutions to some of the material problems that have produced that crisis. One of the most resonant moments in the second Democratic presidential debate was Williamson’s line: “If you think any of this wonkiness is going to deal with this dark psychic force of the collectivized hatred that this president is bringing up in this country, then I’m afraid that the Democrats are going to see some very dark days.”

Without endorsing the literal reality of psychic forces of either the light or dark variety, I think she has a point. At a minimum, it is plain that the most carefully calibrated health-care plan will not win the trust of an electoral college (and Senate) majority sufficiently large to decisively repudiate the Trump years — which is what it would take to make that very plan a practical reality.

But the point of a politics of poetry is, ultimately, to enable a government of prose. Correctly sensing the spiritual needs of the moment can help win the electorate’s trust, and thereby build deeper support for a political agenda that addresses those needs. It can even help inform what that agenda might be. But expecting politics to achieve spiritual goals directly is a recipe for disappointment and disillusion.

That’s why it worries me that the issue on which Williamson was the most persuasive — and, in fact, the most concrete — was reparations for slavery.

To her great credit, Williamson understands two …read more

Source:: The Week – Politics


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Marianne Williamson, reparations, and the limits of campaign poetry

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