EXCLUSIVE INTERVIEW: How Apple TV+’s ‘KPOPPED!’ is Remixing the Rules of Global Pop

PSY and Megan Thee Stallion

What happens when you take a timeless hit from a Western music legend and hand it over to a top-tier K-pop group? You get “KPOPPED!,” Apple TV+’s ambitious new series that’s less a song battle and more a brilliant, high-energy cultural summit. The show brings icons like Patti LaBelle, Boyz II Men, and the Spice Girls’ Mel B and Emma Bunton into a studio with powerhouse K-pop acts like ATEEZ, ITZY, and BLACKSWAN to reimagine their most famous songs. The result is a vibrant, fascinating look at how music evolves and connects us across generations and continents.  

Hosted by comedian Soojeong Son and featuring superstars PSY and Megan Thee Stallion, the eight-episode series is a masterclass in collaboration. But to understand what makes “KPOPPED!” so compelling, you have to look beyond the eye-catching stage performances. The show’s magic lies in its origin story and its ambitious goal: to create a bridge of mutual respect between music worlds.

Apple TV+

A Bridge Built on Mutual Respect

The idea for the show sparked from a simple, powerful conversation between two industry legends: Lionel Richie and CJ Group Vice Chairwoman Miky Lee, both of whom serve as executive producers. As executive producer Jake Hong tells it, Richie expressed his admiration for the incredible talent of young K-pop artists. Lee’s response formed the core thesis of the show: his music inspired these young talents.

“It really is a cross-generational, cross-cultural thing that is coming from mutual respect,” Hong explains. The goal was twofold. For younger audiences, it was a chance to see the greatness of the Western artists who laid the groundwork for modern pop. For Western fans, it was an opportunity to witness the discipline and artistry of the K-pop system. 

“We also wanted to show to the Western artists what’s so special about these K-pop artists,” Hong says. “How hard they are trained and how hard they try… the moment when they got together and the two worlds collided, there was such a special synergy.”  

That synergy was the product of a massive global effort. Executive producer Moira Ross, a veteran of huge formats like “The Voice UK,” describes a production team scattered across the globe—from Seoul to Sydney, the UK, and the US. The complexity extended to the set itself, where interpreters were a constant presence, facilitating the intricate creative dialogue between artists. 

This global collaboration, powered by Korean entertainment giant CJ ENM and Australian-American producer Eureka Productions, is what makes the show’s ambitious premise possible.  


A Case Study in Collaboration: BLACKSWAN and Boyz II Men

No episode encapsulates the show’s spirit better than the collaboration between pioneering multinational K-pop group BLACKSWAN and 90s R&B legends Boyz II Men. BLACKSWAN is comprised of members Fatou, Sriya, Gabi, and Nvee. The members are from Senegal, India, Brazil, and the U.S., respectively, and they represent the future of global K-pop. Boyz II Men, the best-selling R&B group of all time, helped write the playbook that many K-pop groups follow today.

For the members of BLACKSWAN, the experience was profound. “They become our role models,” says member Sriya. “Because when we met them on the set… they are legends, but still they are being so grounded and they were so kind to talk about their stories, their experience. It felt like this is how true artists should be.”  

The collaboration centered on reimagining Boyz II Men’s iconic hits, “Motownphilly” and “End of the Road”. This meant tackling the group’s legendary vocal harmonies, a new challenge for some of BLACKSWAN’s members. 

“That was what the number one thing we took from our experience working with them,” says member NVee. She explains that for the other members, it was their first time learning harmonies. “They fell in love with it. So we were all like, ‘Oh, this is really fun. Can we add this more into our upcoming tracks?.’” 

The process wasn’t without its pressures. The teams had a very short window to rehearse. Moreover, the challenge was compounded by an injury Sriya was nursing at the time. “It was very challenging,” she admits. “I was so worried… we just had not even a week.” But the pressure forged an even stronger resolve. “No matter what situation you are in, you remember that you’re an artist,” Sriya says. “The moment you step on stage, that is the life you live for… it’s such a happy place that I even forgot that I was injured.”  

The mutual respect was on full display when BLACKSWAN performed their own track, “Roll Up,” after the main battle. NVee recalls the moment Boyz II Men joined them on stage, “doing their own vocal harmonies and their own ad-libs with it. It really intensified the song itself and even kind of gave it its own remix.” 

Apple TV+

The Future is ‘K-popped’

Ultimately, “KPOPPED!” is more than just a TV show. It’s the next logical step in K-pop’s global journey. For years, Western artists have collaborated with K-pop groups on remixes and features. This show flips the script. The show has K-pop artists reinterpret Western music, or “K-pop” it, for a live audience in Seoul.

It’s a strategic and ambitious project. For CJ ENM, a key architect of the Korean Wave, the show is a way to “keep the K-pop phenomenon going” and showcase the creative method behind it to the world. By demonstrating that the K-pop system can honor and elevate any genre of music, “KPOPPED!” makes a powerful statement about the future of pop. It’s a future that is collaborative, cross-cultural, and incredibly exciting to watch.

Apple TV+

A Quick Spin: Does ‘KPOPPED!’ Live Up to the Hype?

In a word: absolutely. Apple TV+’s KPOPPED! offers a compelling look at how music can bring people together. It results in a show that is entertaining and often surprisingly touching. The show avoids the manufactured drama typical of competition shows. Instead, it focuses on the creative spark that occurs when artists from different worlds come together.  

The High Notes:

  • The Performances: The collaborations are the main event, and they do not disappoint. From ITZY putting a fresh spin on the Spice Girls’ “Wannabe” to BLACKSWAN and Boyz II Men delivering a soulful, harmony-rich rendition of “End of the Road,” the musical numbers are nothing if not memorable. The arrangements are clever and respectful, adding a distinct K-pop flavor without losing the essence of the original hits.
  • Genuine Chemistry: The show shines in the small moments: the look of awe on a young idol’s face as they listen to a legend, the shared laughter during a tough rehearsal, and the mutual respect evident on stage. The mentorship and warmth between the artists, particularly the heartfelt connection between Boyz II Men and BLACKSWAN, is the show’s emotional core.
  • A Feel-Good Vibe: The “song battle” format is more of a friendly showcase than a cutthroat competition. The live Seoul audience votes for a winner, but the stakes feel low because the real prize is the collaboration itself. This creates a positive, celebratory atmosphere that is a refreshing change of pace.

The Verdict:

With its ambitious premise, “KPOPPED!” proves to be a rewarding watch for many music fans. The series effectively brings together different eras and styles of music with high production value. It will likely satisfy dedicated K-pop listeners, viewers with a fondness for 90s R&B, and anyone who enjoys witnessing the collaborative process between talented artists. The show highlights how music can not only top charts but also foster cultural exchange.

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